Allen Petty, (aka Al Petty), was born during the Depression in a shack at the end of the road in Overton, Texas on July the 29th, 1933. His daddy, William Allen Petty, Jr., and his mother, Ruthie Jane Petty did whatever they could to make a living during the Depression. Mainly, in Al’s early years, his dad worked in the oil fields where he built oil rigs in East Texas.God, family, and church were the constants during those years. When Allen was two weeks old, his mother built him a little cradle of a basket and called him Moses. She sat him in the aisle at church next to the aisle seats she chose so she could keep a close eye on him.From that time until Al left home at seventeen years of age, he was in church virtually six nights a week because there was always a revival going on somewhere.On the day Allen was born, his dad, having previously had two daughters, promised God if this was a boy, he would never let his son see him, hear, or do anything that God would not want him to do. So on the day Allen was born, his dad quit drinking, smoking, and cursing, and though he was not a Christian at that time, he soon became one to set an example for his son.During Allen’s years at home he never heard his dad say even a slang word much less a curse word, and he never heard his mom and dad argue, nor fuss, nor even raise their voice at one another. Allen often stated throughout the years, that his daddy was a hard act to follow.During his childhood, the family had prayer and bible reading, and bible memorization every night together. When Allen was nine years old, he had memorized enough scripture so that at the scripture-quoting contests in the little church he attended in Houston, Texas, he could sit the whole church down, quoting scriptures. When the church would stand, they would go around and each would quote scripture until the last one standing was the winner. Allen was the winner every time, at nine years of age. Allen also bought his first guitar at nine and quickly started playing on the church weekly radio program, Sunday mornings on KXYZ, in Houston, Texas.Being a child prodigy, also at the age of nine, he began teaching guitarists who had been playing for ten and fifteen years, chord patterns and structures of chords that they had not recognized. Allen gives total credit to God for his talent in music and the word of God since during the entire time he was in his mother’s womb, his mother prayed constantly that he would have a great talent for music and for the word of God. Until the age of twenty-one, his life revolved around, and his livelihood revolved around the word of God and music. However, Al turned away from God at the age of 21 and was in a "backsliden" condition for 26 years.After World War ll, in 1945, Allen’s family moved from Houston after the shipyard his dad was working in shut down, to his native home, Tyler, Texas. His first home in Tyler was a garage apartment over what was the beginning of Rose Heights Church of God. Allen and his family were charter members of this Church. Soon after moving to Tyler, Al’s dad loaned him the money to purchase his first steel guitar. At the age of 11 Al got his first steel guitar on Monday and began playing it 2 days later in church, the following Wednesday. During the next eighteen years, Al practiced and studied his steel guitar every day, from an hour or so to as many as 72 hours without stopping. During that time period, two days was the longest Allen went without studying his steel guitar. When Allen had been playing his steel guitar for only three months, word of this child prodigy had already gotten around the community of Tyler. In fact, when Allen had only been playing for three months, KGKB would send the porter out to pick him up at 6 a.m. on Monday, Wednesday, and Friday and take him to the radio station. Allen would sit in the middle of the big studio with his six-string lap steel guitar and play fifteen minutes unaccompaniedAlso about that time, Allen began playing his steel guitar with local adult country bands throughout East Texas. He played virtually every night in some church in East Texas as well as little Saturday night “get-togethers” and places like the Yamboree in Gilmer, Texas. Al started playing steel guitar, professionally, at the age of twelve. At the age of thirteen, he began his lifelong professional recording career in Houston, Texas.At fourteen years of age, he began to teach professionally in Tyler. And at fifteen, Al’s daily schedule was; 1) an early morning radio program before school with his little country band he had formed, 2) then he attended school for a half-day, 3) then another radio program during the lunch hour on KGKB with his band and 4) then a half-day teaching music.And it was also during that time, even though he did not finish high school, he was teaching in the public schools. He was teaching music at the age of fifteen, not as an accredited teacher, but teaching and using the schools’ facilities in the Tyler area of East Texas. After teaching in the afternoon, 5) he had another radio program with his little country band, three programs a day, five days per week.At the ages of fourteen and fifteen Al worked with Jim Reeves in the Strand Theater on the square in Gilmer. Jim often stated later that Al was the finest steel guitarist he had ever heard. At the age of sixteen, Al wrote his first instruction course in music that is known as the "principles of interval relativity". These principles were adopted about ten years later by the inner circle recording groups in Nashville, Tennessee.Some twenty-five years were to pass before some of the top universities in the world adopted this method of teaching that Al Petty developed when he was only sixteen years old. Once again, Al was ahead of his time by twenty to thirty years. (The theme of this document is "Al Petty has always been 20-30 years "ahead" of his time! Hence, TeleCom2000 Network"). At seventeen, eight weeks before graduation, Al’s books were stolen and he quit school. He had wanted to do this, knowing his career in music and the Word were set since he was in the seventh grade. However, needless to say he has never been asked for his high school diploma.Also at seventeen Al married the woman who would become the mother of his four children. After marrying, Allen worked for three months for Tyler Pipe and Foundry before going to work with a Grand Ole Opry touring act and working on the Louisiana Hayride with Hank Williams on KWKH in Shreveport, Louisiana.At eighteen Al continued to tour with the Grand Ole Opry act and moved to Florida where his first son, Al Petty, Jr., was born in Jacksonville, Florida. Al also continued to teach music while in Florida and touring as a side man musician. At nineteen Al moved back to Texas, purchasing Dunnagan’s School of Music in West Texas.Utilizing the principles he had written three years earlier when he was sixteen, the “Al Petty School of Music” quickly grew to the largest chain of music schools in the State of Texas with hundreds of students throughout West Texas. His success rate as a teacher quickly spread throughout West Texas and many of the long established teachers sent their students to Al Petty because all of his students learned. Some became the top musicians in the world today, fellow Hall of Famers.In 1953 Al began a long career in television with a show that featured Al and his students every week on television in Midland and Odessa, Texas.. Allen Petty was the top tithe payer in his church at nineteen years of age. Before Al Petty was twenty-one he was the best customer of his musical suppliers in the United States.During this time Al continued his career as a recording artist for StarDay Records as an instrumentalist. He had already become established as a leading musician and steel guitarist. However, at twenty-one Al became disillusioned with the “God of his childhood”, turned away from God, turned his studio over to a fellow hall of famer, Bobby Garrett, and moved to California.In San Diego, California, Al Petty went to work with one of the leading bands of his era, the Western Caravan, a group of musicians who had performed in some one hundred and fifty movies. This group played all of the music in the Roy Rogers and Gene Autry movies. For the next two years or so Al played with the Western Caravan in the ballrooms in the San Diego area as well as on Channel 8, KFMB, live, one hour, five days a week. Al also taught music six days a week during this period.While he was twenty-one and twenty-two years old, Al wrote a book called “The History and Science of Tuning” which was to be some twenty-five to thirty or forty years ahead of its time. Over twenty years were to pass before some of the leading musicians in the world recognized the invaluable and unprecedented principles in that book. That information became a classic.Also during this period of time Al became acquainted with Leo Fender, the founder of Fender musical instruments and the often-accredited inventor of the electric guitar. He also assisted Fender in the development of the revolutionary Fender Pedal Steel Guitar, writing the now classic book on the tunings and use of the Fender 1000 Pedal Guitar. These chords are still challenging musicians today, over forty years later.At twenty-three Al moved to the Los Angeles area, in Fullerton, and went to work for Fender Instrument Company. After producing unparalleled efficiency production systems in every department in which he worked, at the age of twenty-seven, Al Petty was placed in charge of the amplifier division for Fender Instrument Company. Due to some miscalculations by Leo Fender and the management from Fender Instrument Company this was a critical time in the survival of Fender Instrument Company. Therefore, it was actually in desperation that Leo Fender asked Al to figure out a production system to salvage his amplifier division because he was losing money on every amplifier that he produced due to his miscalculations of costs.Al worked day and night in details far too many to cover here. When Al took over the amplifier division he worked out a production system that was so efficient that they were able to triple the employees’ wages and quadruple the production. He also cut the cost by forty percent. Leo Fender had made a design change that increased the cost by seven hundred percent but he only raised the wholesale price by fifteen percent. Al Petty's efficiency system solved this problem and he ran the amp lines for about two and a half or three years, until he was thirty years of age.After he left there they were never able to figure his system out and keep it going. It was too complex. After a year of trying to make a profit on the amp again, Leo Fender sold Fender Instrument Company to CBS about the same time they bought the New York Yankees. CBS brought their team of experts down, added a lot of employees. A short time later they built a thirty million dollar or so structure, which was a lot of money in those days, ’61 or ’62. And they employed a hundred and ten employees turning out ten percent more production than Allen was doing with thirty-seven employees. So they also were losing money on every amplifier. They gave up figuring it out and finally they sold the Fender company.So, in effect, because of Allen’s ability to work out systems that were heretofore unheard of, Fender Industries sold to CBS. The rest is musical history. During the time that Allen worked at Fender he played at nights and also recorded.Right after he left that, he had his own television program for about ten years, "the Al Perry Country Affair". He changed his name professionally to Perry. It was so much easier to remember than Petty. Glen Campbell and James Burton, who was Elvis’ guitarist when he died, a great guitarist, and Al were the nucleus of a very successful busy recording group in Hollywood for many years. They worked in all the studios, including Capital Tower, RCA and various studios in Hollywood.When Al left Fender at about thirty, he formed his own band and became the highest paid country entertainer in the night clubs on the West Coast. Al founded Love Records in 1965 and a couple of publishing companies, Perigold and Love Publishing, as well as entertaining six and seven nights a week. He had a half hour radio program six nights a week and a television program every Sunday and also ran the record and publishing companies.Also during Al’s touring years, as a recording artist, Al was heavily involved in the radio and television jingle, (musical commercials), business. He was extremely successful. For example during 1979 and 80, Al entered the political advertisement arena. He actually interviewed and wrote songs for political candidates across the nation from county commissioners to state representatives to district attorneys and U.S. senatorial and congressional candidates.During the 1979 and 80 elections, Al Petty represented some 75 to 80% none incumbents – candidates who had the odds stacked against them, who needed to use an innovative advertising approach – during that campaign, Al made political history by representing candidates, whose odds of winning, were only 20 to 25% and yet during that campaign 84.5% of the candidates Al wrote songs about, and represented won. In many counties where Al represented the entire 10 or 12 candidates (republican or democratic slate), the entire slate won.Al once again developed a system that enabled him to Produce these radio and television musical commercials in the most efficient manner possible. This was before the advent of digital recording and yet the system that Al worked out was the equivalent of digital over-dubbing. This enabled him to offer a package that would cost at least $15,000 in Nashville or any other recording center - to offer that to candidates at a cost of $1,000 and yet do very well on it himself. Digital emerged not long after that but no one else ever came close to being able to utilize his type of system. Once again Al Petty’s creative ability enabled him to produce results at a fraction of the cost and yet offer a top quality product and eliminate thousands of dollars per project.But, we're getting ahead of ourselves. Al quit singing when he was seventeen and did not began to sing again until he was thirty. Every recording he had was in the top five on the West Coast. He had two fan clubs at the time, plus the publishing companies and the record company, as well as the television show, the radio show and entertaining. Of course, there was always somebody suing him for something, thinking they could get some money from a "star" because of all the promotion and publicity that he had. He had two or three attorneys on retainer just to take care of the lawsuits.In 1967 when he was thirty-five, he had long been sick and tired of the lifestyle that he was living in Los Angeles and Hollywood, especially after the rock era came in with the Beatles. His dad died in November of ’67 and Al promised him, on his deathbed at Medical Center Hospital, Tyler, Texas, that he would come back home and be with his momma. Most of the kids had moved away at that time.Al’s dad also asked him about coming home to God. At the time, Al had been studying Muhammadism, Buddhism, Confucianism, Hinduism, Benedict De Spinoza, all of the so-called great thinkers of the Eastern and Western World, psychology, psychiatry, all of those things with the same fervor that he studied his steel guitar and the same fervor that he’s attacked and worked at with TeleCom2000. He was younger then and sometimes he would study three days and nights without going to bed much as he did his steel guitar. So, Al couldn’t promise his dad he would "come back to Jesus". In Fact he waited another thirteen years before coming back to God on September 15, 1980.After moving back to Tyler in 1967, he formed another Las Vegas show band and worked at the Golden Nugget, the Mint, and the Four Queens. With his Vegas show group, called "the Al Perry Country Affair", Al toured for many years, having television programs in twelve different states as a country entertainer.During much of that time, Allen also carried a recording studio with him in a ten by forty mobile unit that he had built. As Al entertained he always had a recording caliber of musicians and singers, so he produced records wherever they went. They also usually did a television and a radio program. For example, in Great Falls, Montana, they were on cable television six times a day and on the local station on Saturdays and had a radio show every day while entertaining six nights a week.At this same time, Allen also worked in and out of Nashville. As far as the songs Allen wrote and published, they were carried mainly by "Stallion Music", which is Bill Anderson’s publishing company. All of these activities were primarily focused on Al as an entertainer, singer, songwriter for other artists and stars, as opposed to just playing steel guitar. During that time, Allen was written up in many national magazines as "the entertainers’ entertainer" and "the musicians’ musician".After being away from God for 26 years, at the age of 47, in 1980 he played at the National Steel Guitar Convention in St. Louis near the Arches. It was there Allen met the man that witnessed to him, who had been praying for him for fifteen years. This man had several people, actually thousands of people, praying that he would be able to bring Al back to God at the Steel Guitar Convention. This man, Jerry Phelps, is a fellow steel guitarist who is now the pastor of Tyler Metro Church, one of the leading churches in East Texas. He has built a fifteen hundred or two thousand seat auditorium out on Whitehouse highway in Tyler, for his church, The Tyler Metro Church. At the convention he witnessed to Al, and brought Allen back to God, at the age of forty-seven.Soon after Al came back to God he quit playing and listening to country music for six and one-half years. Allen felt that God wanted him to prove to Him that music was no longer his God, but that He was once again his God. After Allen came back to God, Channel 40, WPCB in Pittsburgh, Pennsylvania, a Christian station, gave him his own television program. Al taped the programs as he was in and out of the area, ministering full time.In about Al’s sixth month of returning to the "God of his childhood", he was contacted by PTL, Jim and Tammy Bakker’s network. He soon became a regular on that network, giving concerts and teaching the Word of God. Al Petty really immersed himself in the Word, just as he has in TeleCom2000, and all of the other things he’s ever done. Al was able to uncover some powerful truths in God's word. He studied "the Love That God is" for three thousand hours before he ever made a teaching tape series on God's love. Allen taught the Word on the networks, PTL and later on the Trinity Broadcasting networkHe also did a translation, actually an exposition on the Book of John. He called it “The Book of John in Your Own Words”. This took one year to translate from the original Hebrew, Greek and Aramai into today’s settings and languages. Tapes of that book were marketed all over the world via the Christian networks. He also studied "God the Holy Ghost" for three and a half years and published a teaching series on that. These tapes are still used today by some of the leading Televangelists. They also are used as study guides in various Bible studies..While on the Christian TV networks, Al Petty evangelized all over the country. Because of his satellite world television exposure he was able to minister at some of the largest churches in America. He did very well in the ministry. After 5 years of evangelizing, he felt he should pastor a church, so he started a church in a beautiful home he had in Etiwanda, California. The church was called the "New Life Blessing Fellowship". He founded that church on Father’s Day of 1985, pastoring until the following Father’s Day.In 1986, under pressure and urging from his peers, telling him that he was the most qualified person in the world to develop electronic music as it related to the steel guitar, he began the development of the "STEEL GUITORCHESTRA". He moved out of his beautiful home and bought an old '78 Winnebago. He moved the Winnebago in February of ’87 to a place he’d wanted to move back to for a long time, within a couple of miles from where he was conceived and born, which is where he operated TeleCom2000, in Overton, Texas.In the meantime, while on the Christian Network and evangelizing, he had organized as a nonprofit Christian organization since he was in the ministry full-time for several years. After beginning development of the "STEEL GUITORCHESTRA" he used the Winnebago as an office and home, sleeping on a three-inch piece of foam rubber over the driver’s seat for six months to a year. He moved all of the equipment to develop the STEEL GUITORCHESTRA into the mobile home and worked on that project for the next seven years.In the peace and quiet there in Overton, Texas, he was able to work seven days and nights a week and not take one day off. During those 7 years, he would only take off on Christmas morning to be with his next of kin. Then on Christmas afternoon he was back working again, seven days and nights.There are many witnesses to this. Thirteen television specials and newspaper articles were done on during the development of the STEEL GUITORCHESTRA. Channel 7, locally in Tyler, did several specials on the STEEL GUITORCHESTRA.Al also carried on various activities musically in his native town of Overton. However, during that seven year period he spent every dime that he had and went in debt. He sold everything, and, for the first time in his life, he did not even have a guitar, just keeping the steel guitar and equipment necessary to develop the STEEL GUITORCHESTRA. He sacrificed everything that he had in his belief that it was his duty to develop the STEEL GUITORCHESTRA. This instrument enabled Al to play every known musical instrument.His objective was very lofty when he started the project and he didn’t stop for 7 years until he got it completed. His objective and goal was to "be able to play every known musical instrument, and that it would sound 'equal or superior' to the actual acoustic instrument once that it’s miked", recognizing that an instrument has to be miked in order for it to be recorded. Allen never dreamed that it would take seven years and everything that he had, but it did.In fact, during that period of time, even though he was able to make records for people with his STEEL GUITORCHESTRA in the little portable building that he put the recording studio and the equipment in when he got out of the motor home and moved into the mobile home.This mobile home is where his residence and the offices of TeleCom2000 were. But during that time things were so tough that he remembers two or three winters in a row that he didn’t even have the money for propane. Although it was cold, he didn’t tell anybody about it or ask anybody for anything. He lived in that mobile home with an electric blanket and a little space heater, since even the propane tank was repossessed.He could have gone back into the ministry and made very good money as he had in the past, but he didn’t believe that was what he should do. Also he could have gone to Branson, Missouri, with his friends, or to Nashville or any number of places and made a lot of money – a lot of money – because of his reputation as a musician, and especially as an entertainer, singer and song writer. But Al chose to stay with the STEEL GUITORCHESTRA until he "completed" it. By the time he got it "finished", he was hundreds of thousands of dollars in debt. He had borrowed from friends, whatever was necessary to get the funds in order to complete the STEEL GUITORCHESTRA. Allen did get that completed in July of 1993, after seven years, almost to the day, from the time that he started in July of ’86.Allen was officially able to play some one thousand instruments and sounds, a donkey’s bray and cow’s mooing, chicken’s cackling and pig’s grunting, a baby’s crying and a freight train, cars and "about everything under the sun". This instrument has been acclaimed by the critics in Hollywood as "the most complete musical instrument" in the history of the world and very few persons who have heard it will disagree!.In the meantime, Al was destitute. Although he sold some of the STEEL GUITORCHESTRA systems throughout the world, and although he recorded albums and singles, and CD’s and cassettes for several artists from all over the United States, Al was still in debt.In the recording industry, until you record a "HIT" on a national basis in your studio – and that is very difficult to do – you will just struggle to get along, unless you have a recognized studio in Nashville. Even though he was able to do an album for an artist that would normally cost them fifty to a hundred thousand dollars in Nashville, Al was able to produce it for ten thousand dollars and was able to save his clients 50 to 90% on the production of a commercial album, utilizing the same digital principles he used in the creation of the TeleCom2000 Network.Actually, Al was also able to earn four to five hundred dollars an hour, but the problem was that there just was not enough sessions available – him being back in the woods in Overton, Texas – for him to stay busy enough to pay back the heavy indebtedness that he had incurredDuring that period of time, Al had three records, for example, in the top three independent country charts, simultaneously. They were records in which he played the piano, base, drums, brass, strings, woodwinds, fiddles, banjo, flutes and whatever was needed. He played every instrument on those records and he never had one DJ or program director or station owner ever even suspect that all the instruments were not played by many different musicians in a top studio in Nashville, Tennessee at a cost of 10 times the amount Al produced them at.Although Al sold several of these systems to some of the top "steel guitar" musicians in the world, no one has yet came close to being able to produce commercial records of "hit type quality", that would play all over the nation. Maurice Anderson was one of the top musicians that purchased one of Al’s systems. He has made several appearances on the "Dallas" television series and has appeared in several movies. He also has a twelve piece band, and for years has been appearing two times a year in the Astrodome, for 65 thousand people, two shows per day, for ten days in a row. He and several musicians would tell you that Al’s system is one of the greatest musical instruments in the world.However, as in many things that Al has developed throughout his life, the electronic technology as well as the musical techniques required to play the instrument once again places the instrument a good twenty to thirty years ahead of it’s time. A principle he has employed since his youth was to be able to produce far more results with far fewer persons involved. An example of this was being able to play an eighty piece orchestra, with just one person, while sitting in a shack in the woods in East Texas, saving a person 50 to 90% on the production of their album. This is another example of being able to cut the cost dramatically and produce more results in any endeavor that he has allowed himself to become involved in.These are the same digital principles that he has employed in TeleCom2000, in reducing the marketing cost by 90%, which the evidence and documents will prove. This enabled Al to return to the business owner of an outsourced long distance and cell phone store, a margin of profit that is definitely greater than any business of its kind has ever offered. When a new owner takes advantage, as they invariably do, of the TeleCom2000 Marketing Services, the results are nothing short of remarkable.But, back to completing the 7 year period of the development of the STEEL GUITORCHESTRA; after finding himself deep in debt and wrestling with finding a way to pay off his indebtedness as soon as possible, he received a call from a long time friend, whom he was also indebted to, asking him to come to a meeting and take a look at something they had to offer. Although he was still busy developing and recording, he reluctantly agreed to go for his friend's sake.After calling the friend back and asking more about the meeting, he was told it was a type of multi-level. Upon hearing more about the plan, Al wrote a three page presentation, since communication has always been his livelihood, and after the vice-president of the company gave his presentation and everyone was almost "put to sleep", Al presented his three pages, at the insistence of his friend, and everyone in attendance signed up!However, the event that caused Al to make a decision to go into marketing was what he read in the "Dallas Morning News" about a distributor for Excel, named Paul Orberson. He received a check for one half million dollar earnings for one month and then later, there was an article stating that Paul Orberson received one million dollars in one month. For many years Al had wondered and mentioned to his friends, what he could do if he ever decided to do something for the sole purpose of making money and helping others become financially independent. So after seeing the money that there was in marketing and realizing his great need for helping others, Al went into multi-level marketing (known as MLM).Largely, because of Al Petty’s lifelong experience in communications and in creating cutting-edge digital technology, Al was able to make money in various legitimate, and that’s hard to find, multi-level marketing plans. However, Al became increasingly disillusioned because the persons that he had recruited in multi-level seldom ever made money. But after a few years Al Petty faced the reality that in multi-level marketing, 95% of the participants fail; that is that they not only do not make any money, that they lose the money they invested.Because of his strict up-bringing in the Word of God, Al viewed this as a disaster. He felt that, 1) it was a sin to advertise something as a "business opportunity" knowing that 95% of the people fail and 2) he felt that it should be against the law to represent something as being other than it is, (i.e. to present a 'proven failure' and call it a success.)These two “failure-factors” are what motivated Al Petty to spend 4 or 5 years discovering thousands of reasons why that multi-level invariably resulted in failure. Al clearly defines that "a person’s success" in multi-level is dependent not only upon his own efforts, but on the efforts of those that he 'brings in' and the efforts of those they bring and the efforts of those they bring in, etc. Because the average person does not have the time to devote to marketing, or the ability to market, the multi-level chain invariably breaks down early on.After uncovering the many reasons for this "95% failure syndrome", Al Petty developed a long distance and cell phone business that he could outsource and sell to entrepreneurs who were seeking to lower their long distance rate and cell phone costs, as well as to make a lot of money. Of course the TeleCom2000 Network business opportunity is not network marketing or multi-level marketing, that concept is a proven failure.TeleCom2000 offered entrepreneurs the opportunity to achieve 100% success. A person purchased not only a business including total communications, they also purchased a contract with TeleCom2000 Marketing Services. TTN Marketing Services featured digital technological advancements that Al Petty has developed during the past 17 years that guaranteed the success of the new business that each entrepreneur purchased. Although the principle of cost savings of 90% is simple, the process by which these unprecedented earnings are accomplished is extremely complex.Although Al has made the statement many times, "whereas all of his life he has been 20-30 years ahead", he believed that surely now, by paying the long distance and cell phone bills for others as well as offering them an opportunity to achieve financial independence, he was no longer ahead of his time and should be right “on time”.Well, offering free long distance and cell phone calling and an opportunity to make a lot of money should be on time, any time; however Al failed to take into account “the system” whereby this could be accomplished was so far ahead of its time that it would cause red flags to go up everywhere simply from a lack of understanding of the means by which these savings and earnings are accomplished.It is Al Petty’s belief that the unprecedented "Guaranteed 100% business success" ratio that has been created by TeleCom2000 has understandably caused the level of misunderstanding that has culminated in the current dilemma that is being experienced by TeleCom2000, Al Petty, and the TeleCom2000 business owners.It is also his belief that truth will prevail and this unfortunate situation will be resolved for the good of everyone concerned – not only the TeleCom2000 business owners, TeleCom2000, and Al Petty, but for the economic well being of every American, expanding quickly to global proportions.
